Casuals’ Classics: ten of the best by The Casuals

Following my series of posts on the band here is my Casuals Top 10 in reverse order:


#10  Weather Vane 
Album track, Hour World  Decca 1969


‘Though you point from east to west, you point just one way…’

Of the two new, quiet ballads on Hour World, John Tebb’s Weather Vane, surprisingly outshines Manston- ‘Jesamine’-Gellar’s Sunflower Eyes.

‘Weather Vane’ is simple in melody and conception but it’s graced by John Tebb vocals.


#9  Jennifer Brown 
A-side Italy, Joker 1966


If you think The Casuals just weren’t cool enough, bend an ear to this early chilled Italian mood piece.

Moody organ, piano out of nowhere, mysterious vibes and mellow trumpet, it’s truly the lost gem of The Casuals’ crown.


#8  Hello It’s Me
Album track, Hour World  Decca 1969


… for its combination of almost courtly though slightly ironic beseechment  (‘You’re really too kind…’), cutely cooing falsetto backing vocals and air of youthful heartache (the singer longs for communication yet struggles to say what he really means).

Most of all it’s just the sheer niceness of the thing.


#7  Adios Amor (Goodbye My Love) 
A-side, Decca 1968


The Casuals favoured elegant Italianate ballads in their earlier days and Adios Amor is perhaps their finest.


#6  Seven Times Seven 
A-side, Decca 1969


A giddy take-off over choppy piano riffs, brilliant brass and an unexpected subtly blues based melody all collide into a high octane chorus overseen by an edge of excitement and anticipation…

This is the most confident and driven of The Casuals’ singles.  John Tebb’s voice almost shifts into rock mode as he urges us to hedge our bets.

And then there’s that very Joey Levine ‘Hey!’ – or is it an ‘Oh!’ ? – sandwiched between the intro and main vocal, surely one of the most bubblegum vocal moments in pop.


#5  Toy 
A-side, Decca 1968


As Toy was the impossible follow-up single to Jesamine, inevitably I skated over its delights in my 1968/69 singles post.

‘Toy’ may be fluffy (as well as catchy) but it’s an early hint at The Casuals’ toytown leanings and the song is treated to a rousing arrangement.

Chris Andrews successfully updates his stood up love dramas from real-life monochrome suburban streets to imagined technicolour toy bandstand.


#4  Letter Every Month 
B-side, Decca 1971


 

Tucked away like a winsome afterthought on the B-side of what I always think of as The Casuals’ final single Someday Rock ‘n’ Roll Lady (for all their bluster Tara Tiger Girl and The Witch are little more than prodding producer induced rigor mortis twitches), this marks Howard Newcomb’s virtual debut as composer.

There is a boyishly forlorn mood, a deft touch to the lyrics and an occasional nice use of imagery (‘the staircase turns to stone’).

It’s a shame Howard and John didn’t try their hand at writing more or was it that their contributions were simply sidelined?


#3  Toyland 
Album track, Hour World  Decca 1969


‘Let’s all go and blow our mind… in Toyland … ‘ – a hint of psychedelia in the everyday setting of a child’s bedroom, animated by the dare-to-dream magic of make-believe.

Written by Jess Roden and Tony Catchpole, Toyland was first produced by their band, The Alan Bown Set but from its ‘Alouette’ opening fanfare to those mumblings over an energetic (toy?) trumpet lead-off, it’s The Casuals who have the honey and buttercups scene sewn up, bringing the song – and the toys – to life.


#2  Never My Love 
Album track, Hour World  Decca 1969


This humble, elegant classic from the Addrisi brothers is one of the most covered songs of all time.  I may not have heard all the versions but I can definitely say I like The Casuals’ better even than The Association’s and I’d expect theirs to be the gold standard.

Arthur Greenslade picks up the reins as Musical Director for this song only, applying a light touch to allow the blissed out backing vocals to soar and shine… and shine they do, suggesting that the group might have made it as a full blown sunshine pop outfit.

The song’s melodic sensibility and earnest romantic assurances suit John Tebb’s voice as if it were created for him.


#1  Jesamine 
A-side and album track, Hour World 1969


 

 

Sometimes the most predictable choice is fervently the right one.

If ever a record was made to waft gently out of summer windows, it was Jesamine – especially in 1968 but anytime will do.

At heart, Jesamine is a fragile delectation inhabiting a song built with solid craft and the persuasive power of a lovely melody.  It’s a textbook case of the right voice, arrangement, song, group at the right time…  everything coming together to create a timeless classic which just goes on spreading delight.

And having halted at No 2 in ’68, it’s a pleasure to make ‘Jesamine’ my No 1.


Coming soon:  ‘Not a Casual Affair’ summing up the band’s appeal.


Previous posts on The Casuals

The Casuals: beyond Jesamine
The Casuals: before Jesamine: 1961- mid 1968
Jesamine Part 1

Jesamine Part 2
When Jesamine Goes: Singles 1968/69

Hour World 1969
With Jesamine Gone 1970-76

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